此作利用石材板料，以簡潔幾何形式串起與現代建築或工業結構的連結。然而，藝術家卻也刻意保留石材原來的某些不規則邊線，或是切鑿時產生的崩裂邊角、粗糙斷面、乃至殘餘破片，既突顯物材本質又展現其人工「經歷」，而微妙呈現了自然與文明之間的關係與張力。他對石材本身的重視、相當「節制」的處理手法，彷如將創作者和物質材料視為對等、互為主體，體現了某種與「物」共在的藝術實踐。他並且利用金屬台座架高石板，提供近似閱讀文件的觀看高度或說視角，以邀請我們重新看待物質本體、思索物質與現代生活的關係。

This piece utilises marble slabs to form crisp, geometric shapes that connect modern architecture with industrial structures. However, the artist intentionally retains certain irregular edges of the stone itself, along with the jagged corners, rough surfaces, and leftover fragments from cutting and chiseling, emphasizing the inherent qualities of the material while reflecting its 'artificial experience'. Subtly, the work explores the relationships and tensions between nature and civilisation. Chan values the rawness of stone and approaches the material with restraint, treating both the artist and the medium as equal participants—coexisting subjects within the art world. By elevating the slabs on metal stands, he offers viewers a reader-like experience and perspective, encouraging them to re-examine the essence of materials and consider their impact on modern life.