作為藝術家，她專注於女性的身體在生命過程中隨著環境、意識形態、核能開發和戰爭等社會性議題所產生的變化。《零件》使用日本的傳統工藝技法「木目貼布」 （木目込み）即將布料嵌入手塑模型的凹槽中，再結合精緻的珠繡，再現了一個實物大小的華麗人造心臟。該作品提出了通過移植可替換的器官是否能維護生命的尊嚴，以及器官移植的普及是否能免於器官買賣這一社會問題的疑問。

As an artist, she focuses on the changes occur to women bodies as women live through diverse environments, ideologies, the development of nuclear power and war, and other social issues.
The artist employed the traditional Japanese kimekomi technique in Spare-Part, deftly inserting fabric into the grooves of a handmade wooden model. This is complemented by exquisite bead embroidery, resulting in a life-size representation of a magnificent human heart. This artwork probes the ethical implications of organ transplantation, questioning its impact on human dignity and addressing the issue of organ trafficking.